The Tissue Culture and Art Project

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  • 2012.04.24 CRUDE LIFE: A RETROSPECTIVE OF THE TISSUE CULTURE & ART PROJECT

     . . . more

  • 2011.07.19 Write your worries to the Semi-Living Worry Dolls

    July 2011

    Write your worries to the Semi-Living Worry Dolls ...and view other people worries:  . . . more

  • 2011.06.11 Recent exhibitions of TC&A:

     TC&A was commissioned by the “21 Century; Art in the First Decade”, Gallery of Modern Art, Brisbane, to produce the piece  . . . more

  • 2011.06.11 Upcoming exhibitions of TC&A:

      NoArk Revisited:Odd Neolifism at TransLife International Triennial of New Media Art 2011, National Art Museum of China,  . . . more

  • 2011.06.11 misc...

    TC&A is now working on two projects that we hope to realise in the end of 2012….    . . . more

  • 2010.04.06 TC&A Project in the Mori Museum

    Victimless Leather is on display as part of the Medicine and Art: Imagining a Future for Life and Love Exhibition, Mori Museum, Tokyo Japan.  . . . more

  • 2008.02.24 Design and the Elastic Mind at MoMA New York, USA

    24 February - 12 May, 2008

    In the past few decades, individuals have experienced dramatic changes in some of the most established dimensions of human life: time, space,  . . . more

  • 2008.02.18 NoArk wins second prize in prestigious international art competition VIDA 10.0

    The Tissue Culture & Art Project, received second prize in the prestigious international competition VIDA 10.0, rewarding excellence in  . . . more

  • 2008.02.13 NoArk on show at ARCO, Madrid, for VIDA 10.0

    13 - 18 February, 2008

    For more information please visit: VIDA 10.0  . . . more

  • 2008.02.01 sk-interfaces at FACT Liverpool, UK

    1 February - 30 March, 2008

    Curated by Jens Hauser (curator of Still, Living), A groundbreaking exhibition on the uncertain limits between art and science, sk-interfaces  . . . more

  • 2008.01.26 Fuse, Jam Factory, Adelaide, South Australia

    26 January - 17 February 2008

    For more information please visit:  . . . more

 

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